Exhibitions at the New-York Historical Society are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, the New York City Department of Cultural Affairs, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
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For the editors of LIFE—the first magazine to tell stories with photographs rather than text—the camera was not merely a reporter, but also a potent commentator with...
This summer, the New-York Historical Society celebrates the American Revolution with a feast of historical displays and programming, including an outdoor installation of a full...
Hudson Rising explores 200 years of ecological change and environmental activism along “the most interesting river in America” through artifacts, media, and celebrated...
The New-York Historical Society welcomes an extraordinary collection of historic Bibles and religious texts, many of which are on public display for the first time. In God...
Artist Augusta Savage (1892–1962) overcame poverty, racism, and sexual discrimination to become one of America’s most influential 20th-century artists. Her sculptures celebrate...
The story of the International Ladies’ Garment Workers Union and its role in shaping women’s activism is explored through garments, objects, documents, and photographs in this...
Established in 1819, the New York law firm of Cravath, Swaine & Moore has served clients ranging from 19th century inventors to champions of civil rights and civil...
Unregulated “patent medicines” were big business before the Pure Food and Drug Act of 1906 forced manufacturers to list ingredients. Limited birth control and illegal abortion...
Contemporary artist Betye Saar has shaped the development of assemblage art in the United States, particularly as a device to illuminate social and political concerns. A key...
Illustrated with a sensitivity and humor that have made him beloved by his audiences, Mort Gerberg's work has been featured in major publications, including the New Yorker...